November 22, 2003
You could say it's
a dead giveaway.
When people visit
Robin Sue Trimarchi's apartment, they see a bearded ghost mask on the
wall. There's a miniature clock with red moving fingers, and a light-up
play set of a haunted house. Such ghoulish trinkets make it easy to
comprehend her obsession -- she's a fan of that venerable ghostly joy
ride at Disney, the Haunted Mansion.
But comprehending
isn't the same as understanding.
"Some people
make comments like 'Oh really? Into the Haunted Mansion, are you?' Or
they'll call you 'The Haunted Mansion freak.' " says the 29-year-old
Kissimmee woman.
"I have a friend
who just does not get it at all. She'll say 'You did all this stuff
at the mansion? You bought all this mansion stuff?' Not everybody understands."
Foolish mortals.
With the Nov. 26
release of Disney's The Haunted Mansion movie, a new book devoted to
the attraction, and an ever-growing line of mansion-related merchandise,
the world at large may finally grasp what mansion aficionados have known
all along:
They're not alone.
"There are
tens of thousands of Haunted Mansion fans," says Leonard Pickel,
editor of Haunted Attraction Magazine, a trade publication.
These are not casual
fans but "people who have the memorabilia and who ride the attraction
multiple times every time they go to the park. They're devoted."
For many adult fans,
the Haunted Mansion is "like reliving a childhood dream,"
says Jeff Baham.
"One thing
I hear over and over from people is that the mansion is meaningful to
them because they remember it from childhood," says Baham, creator
of fan Web site Doombuggies.com. "There is something almost mystical
about being able to experience something over and over that hasn't changed
a bit."
Named for the twirling
black cocoons that shuttle visitors through the ride, Doombuggies .com
was created six years ago. The site now gets 2,000-3,000 visits a day,
Baham says, and has 6,000 registered users. Members often log in to
debate issues like "Bride Ghost: Moving or standing still?"
or simply post observations like "I distinctly heard the tambourine
at the incorrect time on Tuesday last. . . ."
"It's amazing,"
Baham says, "to watch a thriving culture develop and surround an
experience that many folks would just call, well, a ride."
Mansion-inspired
merchandise now includes coffin purses, hearse pins, ghost bobble-head
dolls and die-cast doombuggies.
But some homages
are more personal.
Like the 41-year-old
Pasadena man who had a giant Haunted Mansion tattoo needled onto his
entire right thigh. The tattoo features the ride's trademark hitchhiking
ghosts, a mummy, singing busts, a grimacing organist, all sorts of spectral
fog and mist and the entire mansion facade.
"The graveyard
band was eliminated early on in the process," says tattoo owner
Jim Kocher, "because we ran out of room." (Kocher is reluctant
to reveal how much the tattoo cost. But you can view his online tattoo
diary, from conceptual drawing to completed cheeks, at http:www.2adults1child.com).
Fans from the start
Many fans trace
their enthusiasm back to a 1969 record album, Story and Song from the
Haunted Mansion released on the Disneyland label.
"By the time
many children finally visited the mansion, they could already quote
the narration of the ride word for word because of that record,"
Baham says.
What also unites
mansion fans is their attention to detail. They thrill to the narration,
to the lights, to every shaking door and flying ghost.
They look for the
"hidden Mickeys" in the ride, of which there are two. (One
is official, a shadow inside a specter's hand near the exit. The other
is "unofficial" -- when ride workers push three plates together
on the table in the ballroom, until they resemble a mouse head and ears.
They're not supposed to do this, Disney officials say, but seem to delight
in doing it anyway.)
"I think when
some people ride it they just get on and then leave and say 'OK, that
was entertaining.' But when I go, I sort of pay attention to the details,"
says 13-year-old Robert Koehler of Tampa. Since his first tour of the
Florida Haunted Mansion at what he swears was age 2, Robert says he's
"probably ridden it 50 times." (If you're doing the math,
that's once every quarterly report card.)
"Every little
painting and door handle and everything means something," he says.
"You see the bride with the red beating heart. OK, why is the bride
here? You sort of try to guess the whole story. I'm really excited to
see the movie. 'Cause we get to see if our guess was correct."
Ah yes. The movie.
You'd think that
Haunted Mansion fans would be thrilled to see their favorite attraction
finally given its due alongside Pirates of the Caribbean as the inspiration
for a feature-length film.
The two attractions
share a special place in the Disney pantheon, lacking as they do the
saccharine qualities of the "It's A Small World" ride and
its ilk, or the earnestness of the "Hall of Presidents" genre.
Pirates and the Mansion are rides with a wink-wink, nudge-nudge.
But when The Haunted
Mansion arrives next week, many fans will put aside some of the winking
and nudging for crossing of fingers.
"The fans are
looking forward to the movie overall," Baham says cautiously, "although
many of them are pretty guarded. . . . Early buzz was pretty negative
purely due to Eddie Murphy being cast [in the lead]. . . . Most Haunted
Mansion fans are a little more eccentric in their tastes. They might
have preferred a Tim Burton film, rather than the genre suggested by
Eddie's involvement."
"Some will
love it and some will hate it. . . . Personally, I'm jazzed."
What would Walt
do?
The fact that Walt
Disney did not live to see any of the mansions completed has fueled
discussions over whether he would have approved of the attraction's
darker edges.
"Anyone can
speculate on what Walt would have liked," says Jason Surrell, author
of The Haunted Mansion: From the Magic Kingdom to the Movies. "I
tend to think he would have gone on the side of less scary. Yet it's
clear that Walt did want a haunted experience."
Surrell, 33, lives
in Orlando where he works as a Disney "imagineer," writing
and directing stage shows. He remembers being hooked on the mansion
from the first time he saw it at Walt Disney World in 1975, at age 5.
He sought permission
to write the mansion book because, as a fan, "it was the classic
case of wanting to read the book that I wrote."
Surrell also has
a history that gave him instant street cred with mansion fans -- he
penned the epitaph for the tombstone of Madame Leota, whose eyes inside
her sculpted head appear to watch visitors entering the mansion.
Surrell's 131-page
book takes readers inside the iron gates, from Walt Disney's first visions
of the mansion (He told a BBC interviewer he envisioned a retirement
home for ghosts) to the numerous artists who contributed concept drawings
and models. The book paints a compelling portrait of all the minds that
contributed to the mansion and all their explanations -- from sea captains
to doomed brides to Bluebeard-like husbands -- that were conceived of
to explain the house's tragic past and haunted present.
Different visions
The tension between
comedy and tragedy has been a part of the mansion since its inception.
In 1958 Disney animator
Ken Anderson{CQ} sketched one of the first concept drawings for the
original Haunted Mansion at Disneyland in California. (The ride would
not open until 1969.)
The pencil sketch
of the decaying antebellum mansion with bats circling was loved by everyone
at the company, according to Surrell, except Walt Disney, who considered
it too messy.
Disney didn't want
any rotten-looking buildings in the theme park. Surrell says he issued
a now-legendary decree: "We'll take care of the outside, and let
the ghosts take care of the inside."
Today there are
four mansions, each situated in different lands in the four Disney theme
parks around the world. The California mansion has the Southern antebellum
facade (but so well-maintained that early on it confused visitors, who
didn't realize it was a scary ride).
Walt Disney World
in Orlando and Tokyo Disney share a gothic facade.
In Disneyland Paris
the house has been renamed Phantom Manor and revised with new music
and effects. The Paris mansion is the most dilapidated in appearance,
a ramshackle wooden Victorian. (In each case the facades are but a tiny
portion of the ride, which is contained in a huge building hidden behind.)
'3-D storytelling'
The latter portion
of Surrell's book focuses on the film, with behind-the-scenes photographs
illustrating filmmakers' painstaking efforts to create an on-screen
experience that would match what park visitors enjoy about the ride.
"The filmmakers
said they never set out to re-create the attraction. You can't do that
because film is a different medium," Surrell says. "But they
felt beholden to the spirit of the Haunted Mansion."
Several pieces of
the film's grand sets, including an ornate staircase, massive fireplace
and pipe organ, were struck and shipped to Florida, where the film crew
along with Surrell and fellow imagineer Theron Skees reconstructed them.
Visitors can tour the "Making of the Haunted Mansion Movie"
space at Disney-MGM Studios through March 2004.
Surrell says the
mansion captivates because it's "3-D storytelling."
"This, along
with Pirates, is truly virtual reality. You are in an environment that
immerses you in another life."
Or afterlife. And
that may be the biggest attraction of all.
"Ghost stories,
as scary as they are, are also deeply reassuring," Surrell says.
"They are telling us that there's definitely something after death."
Nancy Imperiale
can be reached at nimperiale@orlandosentinel.com or 407-650-6323.
Copyright © 2003, Orlando Sentinel